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Marcus Miller, winner of two Grammy® Awards, the 2013 Edison Award for Lifetime Achievement in Jazz (Holland), the 2010 Victoire du Jazz (France) and appointed UNESCO Artist for Peace in 2013, is not only an exceptional musician— a multi-instrumentalist and world-renowned bassist— but also a highly gifted composer and producer. The legendary album Tutu, written and produced for Miles Davis, sealed his international fame when Marcus was only 25. Over the course of his career, has collaborated with artists as varied and talented as Eric Clapton, George Benson, Luther Vandross, Roberta Flack, Aretha Franklin, Chaka Khan, Al Jarreau, George Duke, Wayne Shorter, Lalah Hathaway and Herbie Hancock. He also has produced his own genre-defying albums, among them The Sun Don’t Lie, Tales, M2, Silver Rain, Free, A Night in Monte Carlo (with the Monte-Carlo Philharmonic Orchestra), and Renaissance. Along with international tours, Marcus Miller hosts a weekly program on SiriusXM radio show, “Miller Time.”
Hailing from Houston, Texas, Robert Glasper is a jazz pianist with a knack for mellow, harmonically complex compositions that also reveal a subtle hip-hop influence.The pianist released his debut album, Mood, in 2004; Canvas and In My Element followed in 2005 and 2007, respectively. In 2009, Glasper released the forward-thinking album Double Booked, which featured a mix of modal post-bop and funky, ’80s Herbie Hancock-inspired numbers with two separate bands. The first of thesewas his trio with Chris Dave and Vicente Archer. These were followed by five more originals by his electric band, dubbed the Robert Glasper Experiment, featuringDave, Derrick Hodge, and Casey Benjamin. In 2012, the Robert Glasper Experiment (with a slew of all-star guest vocalists) issued their first stand-alone album, BlackRadio, which sought to blur boundaries between jazz, hip-hop, R&B, and rock & roll; it entered the Billboard jazz charts at number one. Interview magazine says,“Robert Glasper’s energy is infectious… Intelligent, creative, and incredibly impassioned, the pianist is the ideal flag-bearer for the new jazz era.”
