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Marcus Miller, winner of two Grammy® Awards, the 2013 Edison Award for Lifetime Achievement in Jazz (Holland), the 2010 Victoire du Jazz (France) and appointed UNESCO Artist for Peace in 2013, is not only an exceptional musician— a multi-instrumentalist and world-renowned bassist— but also a highly gifted composer and producer. The legendary album Tutu, written and produced for Miles Davis, sealed his international fame when Marcus was only 25. Over the course of his career, has collaborated with artists as varied and talented as Eric Clapton, George Benson, Luther Vandross, Roberta Flack, Aretha Franklin, Chaka Khan, Al Jarreau, George Duke, Wayne Shorter, Lalah Hathaway and Herbie Hancock. He also has produced his own genre-defying albums, among them The Sun Don’t Lie, Tales, M2, Silver Rain, Free, A Night in Monte Carlo (with the Monte-Carlo Philharmonic Orchestra), and Renaissance. Along with international tours, Marcus Miller hosts a weekly program on SiriusXM radio show, “Miller Time.”
Marcus Miller, winner of two Grammy® Awards, the 2013 Edison Award for Lifetime Achievement in Jazz (Holland), the 2010 Victoire du Jazz (France) and appointed UNESCO Artist for Peace in 2013, is not only an exceptional musician— a multi-instrumentalist and world-renowned bassist— but also a highly gifted composer and producer. The legendary album Tutu, written and produced for Miles Davis, sealed his international fame when Marcus was only 25. Over the course of his career, has collaborated with artists as varied and talented as Eric Clapton, George Benson, Luther Vandross, Roberta Flack, Aretha Franklin, Chaka Khan, Al Jarreau, George Duke, Wayne Shorter, Lalah Hathaway and Herbie Hancock. He also has produced his own genre-defying albums, among them The Sun Don’t Lie, Tales, M2, Silver Rain, Free, A Night in Monte Carlo (with the Monte-Carlo Philharmonic Orchestra), and Renaissance. Along with international tours, Marcus Miller hosts a weekly program on SiriusXM radio show, “Miller Time.”
Hailing from Houston, Texas, Robert Glasper is a jazz pianist with a knack for mellow, harmonically complex compositions that also reveal a subtle hip-hop influence.The pianist released his debut album, Mood, in 2004; Canvas and In My Element followed in 2005 and 2007, respectively. In 2009, Glasper released the forward-thinking album Double Booked, which featured a mix of modal post-bop and funky, ’80s Herbie Hancock-inspired numbers with two separate bands. The first of thesewas his trio with Chris Dave and Vicente Archer. These were followed by five more originals by his electric band, dubbed the Robert Glasper Experiment, featuringDave, Derrick Hodge, and Casey Benjamin. In 2012, the Robert Glasper Experiment (with a slew of all-star guest vocalists) issued their first stand-alone album, BlackRadio, which sought to blur boundaries between jazz, hip-hop, R&B, and rock & roll; it entered the Billboard jazz charts at number one. Interview magazine says,“Robert Glasper’s energy is infectious… Intelligent, creative, and incredibly impassioned, the pianist is the ideal flag-bearer for the new jazz era.”
Hailing from Houston, Texas, Robert Glasper is a jazz pianist with a knack for mellow, harmonically complex compositions that also reveal a subtle hip-hop influence.The pianist released his debut album, Mood, in 2004; Canvas and In My Element followed in 2005 and 2007, respectively. In 2009, Glasper released the forward-thinking album Double Booked, which featured a mix of modal post-bop and funky, ’80s Herbie Hancock-inspired numbers with two separate bands. The first of thesewas his trio with Chris Dave and Vicente Archer. These were followed by five more originals by his electric band, dubbed the Robert Glasper Experiment, featuringDave, Derrick Hodge, and Casey Benjamin. In 2012, the Robert Glasper Experiment (with a slew of all-star guest vocalists) issued their first stand-alone album, BlackRadio, which sought to blur boundaries between jazz, hip-hop, R&B, and rock & roll; it entered the Billboard jazz charts at number one. Interview magazine says,“Robert Glasper’s energy is infectious… Intelligent, creative, and incredibly impassioned, the pianist is the ideal flag-bearer for the new jazz era.”
One of the most significant and sought-after producers in contemporary music, Don Was has won multiple GRAMMY® Awards and numerous other accolades for his work with a diverse array of artists, including The Rolling Stones, Bob Dylan, Bonnie Raitt, Van Morrison & Kurt Elling. A native of Detroit,
Was first came to prominence as a founding member, songwriter and bassist of the influential multi-genre band Was (Not Was) and scored commercial success in the 1980s with songs like “Walk the Dinosaur” and “Spy in the House of Love.” He has also served as music director for major motion pictures such as Thelma and Louise and Toy Story, and won an Emmy in 2014 for outstanding musical direction. As President of Blue Note Records since 2012, Was is both the company’s leader and ambassador for its music, presenting the label’s artists to worldwide audiences and building upon the label’s singular 77-year legacy of great recordings.
One of the most significant and sought-after producers in contemporary music, Don Was has won multiple GRAMMY® Awards and numerous other accolades for his work with a diverse array of artists, including The Rolling Stones, Bob Dylan, Bonnie Raitt, Van Morrison & Kurt Elling. A native of Detroit,
Was first came to prominence as a founding member, songwriter and bassist of the influential multi-genre band Was (Not Was) and scored commercial success in the 1980s with songs like “Walk the Dinosaur” and “Spy in the House of Love.” He has also served as music director for major motion pictures such as Thelma and Louise and Toy Story, and won an Emmy in 2014 for outstanding musical direction. As President of Blue Note Records since 2012, Was is both the company’s leader and ambassador for its music, presenting the label’s artists to worldwide audiences and building upon the label’s singular 77-year legacy of great recordings.
An artist whose music is at once timeless yet utterly of its time, Gregory Porter solidified his standing as his generation’s most soulful jazz singer-songwriter with the 2016 release of Take Me to the Alley.The acclaimed album was the follow-up to his Grammy-winning, million-selling 2013 Blue Note debut Liquid Spirit, which led both ESQUIRE and NPR to declare him “America’s Next Great Jazz Singer.” Raised in California, Porter’s mother was a minister, and he cites the Bakersfield Southern Gospel sound, as well as his mother’s Nat King Cole record collection, as fundamental influences on his own sound. Porter began singing in small jazz clubs in San Diego while attending San Diego State University on a football scholarship. Eventually it was music that Porter chose to pursue full-time at the encouragement of his mentor Kamau Kenyatta. After a stint in the Tony Award nominated musical It Ain’t Nothin’ But the Blues, Porter moved to Brooklyn and released two Grammy-nominated albums: Water (2010) and Be Good (2012). He currently lives with his family in Bakersfield, California.
An artist whose music is at once timeless yet utterly of its time, Gregory Porter solidified his standing as his generation’s most soulful jazz singer-songwriter with the 2016 release of Take Me to the Alley.The acclaimed album was the follow-up to his Grammy-winning, million-selling 2013 Blue Note debut Liquid Spirit, which led both ESQUIRE and NPR to declare him “America’s Next Great Jazz Singer.” Raised in California, Porter’s mother was a minister, and he cites the Bakersfield Southern Gospel sound, as well as his mother’s Nat King Cole record collection, as fundamental influences on his own sound. Porter began singing in small jazz clubs in San Diego while attending San Diego State University on a football scholarship. Eventually it was music that Porter chose to pursue full-time at the encouragement of his mentor Kamau Kenyatta. After a stint in the Tony Award nominated musical It Ain’t Nothin’ But the Blues, Porter moved to Brooklyn and released two Grammy-nominated albums: Water (2010) and Be Good (2012). He currently lives with his family in Bakersfield, California.
International best-selling singer, songwriter and musician, Melody Gardot’s first live album. ‘Live in Europe,’ celebrates the success of her live shows around the world and includes concert performances of her greatest hits, recorded between 2012 and 2016. The album features such best loved songs as Baby I’m A Fool (recorded in Vienna and London), My One and Only Thrill (Barcelona), Les Etoiles (London) and March For Mingus (Utrecht). Melody says: “This album holds my heart, and the love of all the people who supported us along the way. It is as much a gift to me, for the memories it holds, as it is my gift to you, the listener. This album is simply a very long thank you to all of you. I am forever grateful.”
The extraordinary voice, and underlying attitude, which exudes both strength and grace, is unmistakably Melody Gardot, whose rare combination of natural talent and musical sophistication with which Melody effortlessly captures and holds her audience in the palm of her hand.
International best-selling singer, songwriter and musician, Melody Gardot’s first live album. ‘Live in Europe,’ celebrates the success of her live shows around the world and includes concert performances of her greatest hits, recorded between 2012 and 2016. The album features such best loved songs as Baby I’m A Fool (recorded in Vienna and London), My One and Only Thrill (Barcelona), Les Etoiles (London) and March For Mingus (Utrecht). Melody says: “This album holds my heart, and the love of all the people who supported us along the way. It is as much a gift to me, for the memories it holds, as it is my gift to you, the listener. This album is simply a very long thank you to all of you. I am forever grateful.”
The extraordinary voice, and underlying attitude, which exudes both strength and grace, is unmistakably Melody Gardot, whose rare combination of natural talent and musical sophistication with which Melody effortlessly captures and holds her audience in the palm of her hand.
When Kamasi Washington released his tour de force LP, The Epic, in 2015, it instantly set him on a path as our generation’s torchbearer for progressive, improvisational music that would open the door for young audiences to experience music unlike anything they had heard before. The 172-minute odyssey featuring his 10-piece band, The Next Step, was littered with elements of hip-hop, classical and R&B music, all major influences on the young saxophonist and bandleader, who exceeds any notions of what “jazz” music is. Released to critical acclaim, The Epicwon numerous “best of” awards, including the inaugural American Music Prize and the Gilles Peterson Worldwide album of the year. Washington followed that work with collaborations with other influential artists such as Kendrick Lamar, John Legend, Run the Jewels, Ibeyi and “Harmony of Difference,” a standalone multimedia installation during the prestigious 2017 Biennial at the Whitney Museum of American Art in New York City. His mass appeal continues to grow drawing vibrant, multi-ethnic and multi-generational crowds with tour stops at the world’s most prominent festivals.
When Kamasi Washington released his tour de force LP, The Epic, in 2015, it instantly set him on a path as our generation’s torchbearer for progressive, improvisational music that would open the door for young audiences to experience music unlike anything they had heard before. The 172-minute odyssey featuring his 10-piece band, The Next Step, was littered with elements of hip-hop, classical and R&B music, all major influences on the young saxophonist and bandleader, who exceeds any notions of what “jazz” music is. Released to critical acclaim, The Epicwon numerous “best of” awards, including the inaugural American Music Prize and the Gilles Peterson Worldwide album of the year. Washington followed that work with collaborations with other influential artists such as Kendrick Lamar, John Legend, Run the Jewels, Ibeyi and “Harmony of Difference,” a standalone multimedia installation during the prestigious 2017 Biennial at the Whitney Museum of American Art in New York City. His mass appeal continues to grow drawing vibrant, multi-ethnic and multi-generational crowds with tour stops at the world’s most prominent festivals.
It’s not simply his abundant virtuosity that has made Christian McBride one of the most in-demand bassists of his generation. McBride consistently combines his deft musicianship with an innate ability to communicate his enthusiasm to an audience—a warm showmanship that transforms his own passion into infectious joy. It comes across whether he’s leading his own bands; sharing the stage with jazz legends like Sonny Rollins, Chick Corea, Herbie Hancock or Pat Metheny; accompanying pop giants like James Brown, Sting or The Roots; or collaborating with classical masters like Kathleen Battle, Edgar Meyer or the Shanghai Quartet. Any time that McBride steps into the studio or onto a stage he plays what could be called “people music,” but it’s a particularly apt title for the second release by his hard-swinging acoustic quintet Inside Straight. “‘People Music’ is my personal mantra as a musician,” McBride says of the title. McBride bemoans the unwritten contention that somehow swinging and imagination are mutually exclusive. “I find this band very imaginative and very swinging. I like coming off the stage having broken a sweat.”
It’s not simply his abundant virtuosity that has made Christian McBride one of the most in-demand bassists of his generation. McBride consistently combines his deft musicianship with an innate ability to communicate his enthusiasm to an audience—a warm showmanship that transforms his own passion into infectious joy. It comes across whether he’s leading his own bands; sharing the stage with jazz legends like Sonny Rollins, Chick Corea, Herbie Hancock or Pat Metheny; accompanying pop giants like James Brown, Sting or The Roots; or collaborating with classical masters like Kathleen Battle, Edgar Meyer or the Shanghai Quartet. Any time that McBride steps into the studio or onto a stage he plays what could be called “people music,” but it’s a particularly apt title for the second release by his hard-swinging acoustic quintet Inside Straight. “‘People Music’ is my personal mantra as a musician,” McBride says of the title. McBride bemoans the unwritten contention that somehow swinging and imagination are mutually exclusive. “I find this band very imaginative and very swinging. I like coming off the stage having broken a sweat.”
In his three-and-a-half decade career, David Sanborn has released 24 albums, won six Grammy Awards, and has had eight Gold albums and one Platinum album. Having inspired countless other musicians, Dave has worked in many genres which typically blend instrumental pop, R&B and lately, more and more traditional jazz. Having contracted polio at the age of three, Dave was introduced to the saxophone as part of his treatment therapy. By the age of 14, he was able to play with legends such as Albert King and Little Milton, later playing with The Rolling Stones and touring with David Bowie with whom he recorded the famous solo heard on “Young Americans”. At the same time, Dave was touring and recording with the great Gil Evans. Dave’s solo release of Taking Off in 1975—still considered a classic—further solidified his career. Later albums have included guest artists such as Jack DeJohnette, Bill Frisell, Charlie Hayden, Wallace Roney, Luther Vandross, Kenny Barron, Christian McBride, and Eric Clapton.Dave hosted the television show, Night Music from 1988 to 1990.
In his three-and-a-half decade career, David Sanborn has released 24 albums, won six Grammy Awards, and has had eight Gold albums and one Platinum album. Having inspired countless other musicians, Dave has worked in many genres which typically blend instrumental pop, R&B and lately, more and more traditional jazz. Having contracted polio at the age of three, Dave was introduced to the saxophone as part of his treatment therapy. By the age of 14, he was able to play with legends such as Albert King and Little Milton, later playing with The Rolling Stones and touring with David Bowie with whom he recorded the famous solo heard on “Young Americans”. At the same time, Dave was touring and recording with the great Gil Evans. Dave’s solo release of Taking Off in 1975—still considered a classic—further solidified his career. Later albums have included guest artists such as Jack DeJohnette, Bill Frisell, Charlie Hayden, Wallace Roney, Luther Vandross, Kenny Barron, Christian McBride, and Eric Clapton.Dave hosted the television show, Night Music from 1988 to 1990.
Soulful, passionate, stirring…these are the words most often used to describe Kirk Whalum’s music. Forged from his Memphis gospel roots and his 1980‘s initiation into the thriving Houston nightclub scene, Kirk’s big, rich tenor sound is unmistakably his. The 80’s were highlighted by Kirk’s stepping out of his blossoming sideman role and forming his own band. It was also in Houston where jazz pianist Bob James “discovered” him and brought him on tour, which led to five successful albums including Cache, Kirk’s first #1 album. Kirk and Bob received a Grammy nomination for their collaboration album, Joined at the Hip. After moving to Los Angeles, Kirk became an in-demand session player for top artists like, Barbara Streisand, Al Jarreau, Luther Vandross, Larry Carlton, Quincy Jones and most notably, Whitney Houston, amongst many others. It’s his sax heard on the mega-hit, “I Will Always Love You.” Kirk soon followed that career high point with his phenomenal hit album released on Warner Bros. Records, For You, perhaps the most successful of over 25 solo recordings to date.
Soulful, passionate, stirring…these are the words most often used to describe Kirk Whalum’s music. Forged from his Memphis gospel roots and his 1980‘s initiation into the thriving Houston nightclub scene, Kirk’s big, rich tenor sound is unmistakably his. The 80’s were highlighted by Kirk’s stepping out of his blossoming sideman role and forming his own band. It was also in Houston where jazz pianist Bob James “discovered” him and brought him on tour, which led to five successful albums including Cache, Kirk’s first #1 album. Kirk and Bob received a Grammy nomination for their collaboration album, Joined at the Hip. After moving to Los Angeles, Kirk became an in-demand session player for top artists like, Barbara Streisand, Al Jarreau, Luther Vandross, Larry Carlton, Quincy Jones and most notably, Whitney Houston, amongst many others. It’s his sax heard on the mega-hit, “I Will Always Love You.” Kirk soon followed that career high point with his phenomenal hit album released on Warner Bros. Records, For You, perhaps the most successful of over 25 solo recordings to date.
A Brooklyn native, Cory Henry may be best known for his role in Snarky Puppy, the instrumental jazz-pop orchestra hailed by Rolling Stone as “one of the more versatile groups on the planet right now.” He’s won a pair of Grammy Awards for his work with the band since 2012, but Henry’s deft keyboard skills have been blowing minds around the world for more than two decades now. At 6 years old, he made his debut at Harlem’s legendary Apollo Theater, and at 19, he joined the touring band of jazz icon Kenny Garrett. Since then, he’s toured or recorded with everyone from Bruce Springsteen and The Roots to P. Diddy and Yolanda Adams in addition to cracking the Top 10 on Billboard’s Jazz charts with a pair of solo albums. Henry has also proven himself to be a remarkable singer and songwriter through his work with The Funk Apostles, Lauryn Hill, Frank Ocean, Jacob Collier and more.
On his latest debut album with The Funk Apostles, “Art of Love,” organ virtuoso Cory Henry demonstrates that he’s more than up for the challenge, moving from sideman to frontman with seemingly effortless grace and cool.
A Brooklyn native, Cory Henry may be best known for his role in Snarky Puppy, the instrumental jazz-pop orchestra hailed by Rolling Stone as “one of the more versatile groups on the planet right now.” He’s won a pair of Grammy Awards for his work with the band since 2012, but Henry’s deft keyboard skills have been blowing minds around the world for more than two decades now. At 6 years old, he made his debut at Harlem’s legendary Apollo Theater, and at 19, he joined the touring band of jazz icon Kenny Garrett. Since then, he’s toured or recorded with everyone from Bruce Springsteen and The Roots to P. Diddy and Yolanda Adams in addition to cracking the Top 10 on Billboard’s Jazz charts with a pair of solo albums. Henry has also proven himself to be a remarkable singer and songwriter through his work with The Funk Apostles, Lauryn Hill, Frank Ocean, Jacob Collier and more.
On his latest debut album with The Funk Apostles, “Art of Love,” organ virtuoso Cory Henry demonstrates that he’s more than up for the challenge, moving from sideman to frontman with seemingly effortless grace and cool.
Vocalist Cyrille Aimée was primarily raised in France by a French father and Dominican mother. As a curious child in Samois-sur-Seine, she would sneak out of her bedroom window to wander into the nearby gypsy encampments filled with those attending the annual Django Reinhardt Festival. She quickly fell in love with gypsy music and way of life; years later she would sing on street corners with friends while traveling across Europe. While in the midst of one such odyssey, she found herself at the Montreux Jazz Festival, where she won first prize in the vocal competition – which included the financing of her first self-produced album. When Aimée audtioned for the Star Academy (a kind of French American Idol), she became a finalist. Informed she would have to sing only what she was told, her gypsy spirit rebelled—and in what was a cause célèbre she walked from the competition. She now happily tours the world with her band as well as in a duo setting with Brazilian guitarist Diego Figueiredo. Aimée’s talents also recently caught the attention of Stephen Sondheim, who cast her in an Encores Special Presentation at New York City’s City Center in November 2013. The New York Times referred to Aimée’s major label debut in August 2014, as “a bravura turn, presented with a smile.”
Joey DeFrancesco’s emergence in the 1980s marked the onset of a musical renaissance in organ jazz with the sound of his vintage Hammond organ and Leslie tone cabinet. Considered a child prodigy, Joey inherited from his father and grandfather the gift of the musician’s musician: being able to pick up a new instrument and teach himself to play. This manifests itself in Joey’s extraordinary keyboard skills; piano playing; and organ wizardry – not to mention his undeniable mastery of the trumpet.
Joey’s desire to play the trumpet began after touring with the great Miles Davis. Years later, it would be Joey who would be complimenting his own jazz organ performances with exciting bursts of trumpet tones in the notably influenced style of his former employer. The list of established musicians who felt inspired to perform with Joey grew. At twenty-two, Joey was called upon by guitarist, John McLaughlin to form the group, ‘Free Spirits’ which included band member Dennis Chambers. This band toured extensively for four years as the sphere of Joey’s influence went global. Joey soon became a household name in the jazz world as he began to tour internationally with his own quartet and eventually trim his group to a trio that boasted the guitar work of Paul Bollenback and drumming of Byron ‘Wookie’ Landrum. This trio would become the longest running organ trio in modern times.
Joey is a three time Grammy Nominee: In 2004 for his record ‘Falling In Love Again’, in 2010 for his release titled ‘Never Can Say Goodbye’, and, again, in 2015 for “Enjoy the View”. He is the winner of Down Beat Magazine’s Critic’s poll 2002-2008, 2012, 2014,2015 as well as the magazines Reader’s Poll every year since 2005. In 2014 he was inducted into the inaugural Hammond Organ Hall of Fame.
The Jazz Cruise is privileged to have one of the top trombonists of his generation, Wycliffe Gordon, return for an encore performance as our Gospel Show host. Both an accomplished soloist and leader of his eponymous quartet, Wycliffe tours the globe performing for audiences of every caliber, from elementary school students to heads of state. In 2014, for the third year in a row, he received Downbeat Magazine’s Critics Poll “Best in Trombone” award. Wycliffe also has been recognized eight times – most recently in 2013 – by the Jazz Journalists Association as “Trombonist of the Year.” A veteran member of the Wynton Marsalis Septet and Lincoln Center Jazz Orchestra, the musician has 16 solo CDs and seven co-leader CDs under his belt. Adept at the tuba, trumpet and soprano trombone plus an accomplished composer and arranger, Wycliffe currently serves as artist-in-residence at Georgia Regents University where he is developing a jazz studies program, teaches courses and works with music majors.
Pianist Aaron Parks released his Blue Note debut “Invisible Cinema” at the age of 25 following three Blue Note releases with trumpeter Terence Blanchard. The BBC declared it “one of the great albums of 2008.” JazzTimes hailed him as “a new visionary.” The San Jose Mercury News named his “Alive in Japan” release as their 2013 Top Jazz Album of the year. He has released two albums on ECM including a solo piano recording and a trio record featuring Billy Hart and Ben Street. Parks has performed and recorded with Kurt Rosenwinkel, Dhafer Youssef, Terri Lyne Carrington, Ambrose Akinmusire, Gretchen Parlato, Kendrick Scott, and Marcus Miller among others. He is also a founding member of James Farm with Joshua Redman, Matt Penman and Eric Harland. His latest project “Aaron Parks & Little Big” will debut in 2018.
Capturing the truth in each moment’s conception of sound comes naturally to Gerald Clayton. The son of beloved bass player and composer John Clayton, the four-time GRAMMY-nominated pianist/composer enjoyed a familial apprenticeship from an early age. Clayton honors the legacy of his father and all his musical ancestors through a commitment to artistic exploration, innovation, and reinvention. His music is a celebration of the inherent differences in musical perspectives that promote true artistic synergy. Inclusive sensibilities have allowed him to perform and record with such distinctive artists as Diana Krall, Roy Hargrove, Dianne Reeves, Ambrose Akinmusire, Dayna Stephens, Kendrick Scott, John Scofield Ben Williams, Terell Stafford & Dick Oatts, Michael Rodriguez, Terri Lyne Carrington, Avishai Cohen, Peter Bernstein and the Clayton Brothers Quintet. Clayton also has enjoyed an extended association since early 2013 touring and recording with saxophone legend Charles Lloyd.
Though her career has taken her well beyond the jazz circuit, Niki Haris’s roots are here, and The Jazz Cruise ‘16 is delighted to welcome the songstress to its lineup. The daughter of Grammy®-nominated jazz pianist Gene Harris, Niki and her father released two albums and a live CD before his death in 2000. Carrying on his legacy in jazz, she’s released solo albums, toured Europe with her jazz quartet, and starred in the touring production of “Billie & Me,” a celebration of the life of Billie Holiday. In addition to 18 years of recording and touring with Madonna, Niki has lent her voice to projects of Ray Charles, David Sanborn, Patrice Rushen, Michael Sembello, Leann Rimes, Michelle Branch, Santana, Kylie Minogue, Luther Vandross, All Saints, Wilton Felder of the Jazz Crusaders, Stanley Turrentine, the Righteous Brothers, Julian Lennon, Anita Baker, Mick Jagger and Whitney Houston. She’s also been featured in the soundtracks of “Corrina Corrina,” “The Big Green,” “Coyote Ugly” and Disney’s “Anastasia.” Meanwhile, she’s pursued other artistic passions with great success as well, including staging scenes for Sharon Stone in “Basic Instinct,” choreographing for the television series “Melrose Place,” and appeared with in Al Pacino and Robert De Niro in “Heat.”
Lauded as one of the top jazz pianists of his generation, Sullivan Fortner is recognized for his virtuosic technique and captivating performances. The winner of three prestigious awards – a Leonore Annenberg Arts Fellowship, the 2015 Cole Porter Fellowship from the American Pianists Association, and the 2016 Lincoln Center Award for Emerging Artists – Sullivan’s music embodies the essence of the blues and jazz as he connects music of all eras and genres through his improvisation.
As a leader, The Sullivan Fortner Trio has performed on many of the world’s most prestigious stages including Jazz at Lincoln Center, Newport Jazz Festival, Monterey Jazz Festival, Discover Jazz Festival, Tri-C Jazz Festival, Jazz Standard, and the Gillmore Keyboard Festival. Fortner has been heard with other leading musicians around the world including Dianne Reeves, Roy Hargrove, Wynton Marsalis, Paul Simon, John Scofield, Cecile McLorin Salvant, Fred Hersch, Sean Jones, DeeDee Bridgewater, Roberta Gambarini, Peter Bernstein, Stefon Harris, Nicholas Peyton, Billy Hart, Dave Liebman, Gary Bartz, Etienne Charles and Christian Scott.
Chicago native Joel Ross has performed with historic and seasoned artists – Herbie Hancock, Louis Hayes, Christian McBride, and Stefon Harris – as well as with cutting-edge contemporaries like Ambrose Akinmusire, Gerald Clayton, Jon Batiste and many more. Twice selected as a Thelonious Monk Institute National All-Star and a 2013 Young Arts Jazz Finalist, he’s also had the opportunity to perform at the Brubeck, Monterey, Seattle, and Chicago Jazz Festivals and at internationally-celebrated venues like Dizzy’s Club Coca-Cola in New York, SF Jazz in San Francisco, and Club Vibrato in Los Angeles.
Ross recently completed a two year fellowship with the Brubeck Institute Jazz Quintet in California. Winning first place at the 2016 BIAMP PDX Jazz Festival ‘Jazz Forward’ Competition, he was also a winner of the Keep an Eye International Jazz Award, in Amsterdam. A fitting addition to trumpeter Marquis Hill’s wonderful group before their 2016 European tour, performs with his newly minted Joel Ross’ Good Vibes ensemble, among other ensembles he leads.
Multifaceted American jazz pianist and composer Emmet Cohen is one of his generation’s pivotal artistic figures. Downbeat praised the “nimble touch, measured stride and warm harmonic vocabulary” he employs to communicate with other musicians and audiences at what he terms “the deepest level of humanity and individuality.” Cohen, no stranger to The Jazz Cruise, first appeared here in 2011 under the tutelage of his mentor, Shelly Berg. He’ll be featured this year with the dynamic “Emmet Cohen Trio,” comprised of the celebrated young bassist, Russell Hall and rising star drummer Kyle Poole. Cohen has appeared in the Monterey, Newport, North Sea, Bern, and Edinburgh jazz festivals, among others, and at many prestigious music venues, including Rose Hall and the Kennedy Center. Cohen is the Executive Producer of The Masters Legacy Series, an ongoing series of recordings celebrating the intergenerational transfer of knowledge between jazz musicians. The first honors legendary drummer Jimmy Cobb, while Volume 2 features the great bassist, Ron Carter. (Keep an eye out for Volume 3, featuring Benny Golson and Tootie Heath.) A Suzuki piano student at age three, Cohen holds jazz piano degrees from the Manhattan School of Music and the University of Miami. He was finalist in both the American Pianists Association’s Cole Porter Fellowship (2015, 2011) and the Thelonious Monk International Piano Competition (2011). A member of Christian McBride’s new band, Tip City, Cohen has also performed or recorded with Ron Carter, Jimmy Cobb, Kurt Elling, Benny Golson, Billy Hart, Jimmy Heath, Tootie Heath, Brian Lynch, and Herlin Riley.
Eric Marienthal has won 2 Grammy Awards and has been nominated 7 times as a member of the Chick Corea Elektric Band and Gordon Goodwin’s Big Phat Band. Having performed in over 75 countries and played on hundreds of CD’s films and TV shows, Eric has also recorded 14 solo CD’s including his latest entitled “Bridges” with guitarist Chuck Loeb. Eric’s CD’s have produced several top 10 radio singles including three #1’s. Eric is the recipient of the Berklee College Of Music Distinguished Alumnus Award for outstanding achievements in contemporary music. Eric was also named one of the top 3 alto saxophonists in Jazziz Magazine’s Reader’s Poll along with Phil Woods and David Sanborn. For the past 19 years Eric has organized an annual charity concert for the High Hopes Head Injury Program in Tustin, CA. These concerts have raised awareness for this great organization and have raised over 1.5 million dollars.
Season 3 winner of NBC’s Last Comic Standing, Alonzo Bodden keeps the boat rolling—in laughter, rest assured—as comedian-in-residence for The Smooth Jazz Cruise. With a resumé that includes numerous appearances on the late-night circuit (The Tonight Show with Jay Leno, Conan O’Brien Show, The Late Show with Craig Kilborn, The Keenan Ivory Wayans Show, and Comedy Central among others), television hosting gigs, voice-over roles and film credits, Alonzo entertains an audience masterfully. His talent has earned him international acclaim and presented the New York native with opportunities to perform in Canada, Ireland, Australia and the U.K., along with stops in Iraq and other places around the world where U.S. troops are stationed.